Candeia – Samba de Roda (1975) reissue

Photobucket
Photobucket

SAMBA DE RODA
Candeia
1975 Tapecar SS-007
2011 Reissue Discobertas (DB-081)

1 Brinde ao cansaço
(Candeia)
2 Conselhos de vadio
(Alvarenga)
3 Alegria perdida
(Candeia, Wilson Moreira)
4 Camafeu
(Martinho da Vila)
5 Sinhá dona da casa
(Candeia, Netinho)
6 Acalentava
(Candeia)
7 Seleção de Partido Alto:
Samba na tendinha (Candeia)
Já clareou (Dewett Cardoso)
Não tem veneno (Candeia-Wilson Moreira)
Eskindôlelê (Candeia)
Olha hora Maria (Folclore-Adpt. Candeia)

8 Motivos folclóricos da Bahia:
a) Capoeira: Ai, Haydê (Folclore)
Paranauê (Folclore-Adpt. Candeia)
b) Maculelê: Sou eu, sou eu (Folclore)
Não mate homem (Folclore-Adpt. Candeia)
c) Candomblé: Deus que lhe dê (Folclore)
Salve! Salve! (Folclore-Adpt. Candeia)
d) Samba de roda: Porque não veio (Folclore-Adpt. Candeia)

——————————–
I hesitated on sharing this here for a long time. Why, you ask? Isn`t this a wonderful classic album from the genius Candeia? Yes, yes it is — but giving this reissue any wider publicity is like polluting the waters. Finally I decided that, as a public service, I should post about it – with this caveat: I strongly urge all readers DO NOT BUY THIS reissue under any circumstances, I don’t care how cheaply you find it in your local shop.

Another essential samba album that has been essentially ruined by a reissue that makes it barely listenable. I am not exaggerating. Our blogger friend Dr. Funkathus has opined that I am something of an obsessive over about audio and sound quality. That may be so, but this reissue disproves the commonly spoken fallback excuse of “It’s the music that matters in the end.” Because, honestly, I will give ten dollars to anyone who can make it through this first track without a) cringing or b) checking your stereo system connections or c) wondering if you are listening to a low bitrate mp3. OK so I won’t give you ten dollars because I am flat broke at the moment. THIS album, which I picked up simultaneously with the other two Candeia reissues on the Discobertas label, is what prompted me to bring them all back to Livraria Cultura and ask for a refund on the basis that they were defective and should not have been released this way. The store clerk thought it was a slightly unorthodox request, but that store is famously awesome and took them back anyway. I hope they sent returned them to the label with an angry note but, alas, they probably didn’t. If Discobertas had any integrity they would do a product recall on these, because they are seriously, seriously substandard. These releases have stripped them of any legitimacy as a label and put them in category of shadowy semi-legit / outright bootleg labels like the defunct Radioactive label. Candeia must be rolling over in his grave, and his family must be really hard up for cash to have licensed the rights over these people.

This album deserves a better write-up than this. But it also deserves a better reissue.

It is Candeia in full bloom and at the peak of his powers as a songwriter and performer — a peak that would last until the end of his short life and his final posthumous album, Axê. Dominated by his original compositions but also carefully chosen covers like the humorous “Conselhos de vadio” (Alvarenga) and “Camafeu” from Martinho da Vila which has all the melodic trademarks of that composer.

The album is saturated with the sound of samba’s roots in Afro-brazilian religious traditions (such as but not exclusively Candomblé), incorporating instruments like the berimbau and capoeira rhythmic structure. But the show-stopping centerpiece of this album is without any doubt the 11-minute selection of Partido Alto tunes which gives a taste of how this stuff was performed in a relaxed live setting, something more fully explored on an album called Partido Em 5 that I will be also be sharing here soon…

1975 was a momentous year for Candeia. Disenchanted with the direction of the established samba schools, he founded “Grêmio Recreativo de Arte Negra e Escola de Samba Quilombo” with Wilson Moreira and Nei Lopes in Rio’s suburbs, to reassert samba’s roots in Afro-Brazilian traditions. One of his songs, “O Mar Seranou” was recorded by Clara Nunes and was the leading hit single of her best-selling album, ‘Claridade.’ And, with all that going on, he also recorded THIS ALBUM.

It is much better to have this album in your collection than not to. But even a half-assed vinyl rip on the net would probably be less abrasive for your ears. And apparently this was issued on CD once before in the 1990s although I have never come across a copy.

in 320 kbs em pe tree


in FLAC LOSSLESS AUDIO

password in comments

Liked it? Take a second to support Dr. Vibes on Patreon!
Bookmark the permalink.

Leave a Reply