Azymuth – Telecommunication (1982) (2023 Jazz Dispensary Top Shelf)

Azymuth – Telecommunications
Vinyl rip in 24-bit/192 kHz | Brazilian Jazz
Distributed as FLAC (24/192, 24/96) and mp3 (320kbs)
1982 Milestone || 2022 Jazz Dispensary (Craft) || Ltd. ed

Hey, remember when this blog featured Brazilian music?  Me neither!  Well, the relative inutility of music blogs in 2023 notwithstanding, I’m going to make a New Year’s resolution to start visiting Brazil more often, sonically at least, in 2024.  Why not start early with this classic recording from Brazilian jazz outfit Azymuth, recorded in Brazil but not released there, this was originally issued by Milestone. It is presented as part of the Jazz Dispensary Top Shelf series by Craft Records in a limited run. Continue reading

Quarteto Novo – Quarteto Novo (1967)

Quarteto Novo – Quarteto Novo
1967 Odeon (S)MFOB 3505
EU Reissue 2008 EMI – 5099921674624

Holy hell somebody grab a fire extinguisher because this record cooks so much it started a grease fire and may burn your whole house down. Don’t believe me? Yes, the record starts out gently with acoustic treatments playing Northeastern musical motifs (what would have still been called ‘folklore’ back in the 60s), featuring Airto Morreira on various percussion and Hermeto Pascoal on flute. Continue reading

Paulinho da Viola – Paulinho da Viola (1971, Mono pressing)

Paulinho Da Viola – Paulinho Da Viola
1971 Odeon – MOFB 3670
Style: Samba, MPB
Format: Vinyl, LP, Album, Mono

Tracklist
A1 – Num Samba Curto (02:48)
A2 – Pressentimento (02:47)
A3 – Para Ver As Meninas (02:47)
A4 – Nas Ondas Da Noite (02:06)
A5 – Filosofia Do Samba (02:10)
A6 – Consumir E Viver (02:42)
B1 – Lapa Em Três Tempos (Musica Incidental: Abre A Janela) (02:48)
B2 – Coração (02:05)
B3 – Minha Vez De Sorrir (02:47)
B4 – Reclamação (02:50)
B5 – Abraçando Chico Soares (02:00)
B6 – Vinhos Finos… Cristais (02:23)

Total length: 30:13

More information: https://www.discogs.com/release/10783302-Paulinho-Da-Viola-Paulinho-Da-Viola

(REDACTION OF ORIGINAL POST TEXT)

This is one of two albums that Paulinho da Viola released in 1971, neither of which were titled. They are both great. It is made up mostly of original tunes, with a notable contribution from one of his mentors in the Portela samba school, Candeia (“Filosofia do Samba”).

And this album has the distinction of having  a true anomaly on it: a non-samba tune that Paulinho ever recorded, rare becausee Paulinho is a samba purist. “Consumir E Viver” is by the MPB songwriter Marcus Vinicius and while it still has sambista flourishes, it does stand out as being a bit more pop/rock (the coda of the song is a straight up 4/4 rock beat). It also features a harpsichord, an instrument which reappears at the end of the LP as well.

So there, there is some musical commentary, with bookends of verbose bloat.  In the words of one brilliant reviewer of a Spinal Tap album, this post, along with the rest of this blog, is one “Shit Sandwich”.

password: vibes

Leci Brandão – Antes Que Eu Volte A Ser Nada (1975) (1980 Japan Polydor / Marcus Pereira WLP)

Leci Brandão – Antes Que Eu Volte A Ser Nada
Vinyl rip in 24-bit/192 kHz | FLAC |  300 dpi scans |Samba, MPB, Brazil
1975 Marcus Pereira || 1980 Polydor Japan

 

A classic debut album from one of the best artists to emerge from the 1970’s roots samba revival in Brazil, Leci Brandão is unique in that not only was she a tremendous singer but she also composed — on this album, there’s not a song she didn’t write!  Continue reading

Airto – Seeds On The Ground / The Natural Sounds of Airto (1971) (2020 Real Gone Music) Day 4 of FV’s 12 Days of Xmas

Airto – Seeds On The Ground / The Natural Sounds of Airto
Vinyl rip in 24-bit/192 kHz | FLAC |  300 dpi scans | Jazz, Brazilian, Fusion
Original release, 1971 Buddah Recordhs / Reissue 2020 Real Gone Music / Sony Records

Day 4 of Flabbergasted Vibes’ 12 Days of Christmas finally brings us to Brazil.  Sort of.   I predict there will be much more Brazilian content on this blog in 2022.

The first couple albums from Airto Moreira could easily be co-credited to Hermeto Pascoal, since he played such a major role in them.  He wrote all but two of the tracks on this one. I once had a transcendental shamanic experience with this album while laying in a hammock in the middle of mountain forest.  But you don’t need such accoutrements  to be transported by the music here, it’s truly  the stuff of magic.  At turns moody, deep, and profoundly uplifting, sometimes all at once.  A young Flora Purim shines here too, and she channels Gal Costa’s tropicalista phase with aplomb on tunes like O Sonho / Moon Dreams, a tune credited to Livingston & Evans of “Que Sera Sera” fame and which is also on Flora’s “Butterfly Dreams” LP on Milestone from a few years after this.   It is also worth noting that Sivuca puts in an appearance on the accordion, and Dom Um Romão on the drums, as well as (honorary Brazilian?) Ron Carter on bass throughout.

A1 – Andei (I Walked)
A2 – O Sonho (Moon Dreams)
A3 – Uri (Wind)
A4 – Papo Furado (Jive Talking)
B1 – Juntos (We Love)
B2 – O Galho Da Roseira (The Branches Of The Rose Tree)
B3 – O Galho Da Roseira (The Branches Of The Rose Tree) Part II

A1    Andei (I Walked)
Bass – Ron Carter
Vocals, Percussion, Berimbau – Airto
Written By, Harpsichord, Flute – Hermeto Pascoal


A2    O Sonho (Moon Dreams)
Bass – Ron Carter
Drums, Percussion – Airto
Keyboards – Hermeto Pascoal
Vocals – Flora Purim
Written By – J. Livingston & R. Evans


A3    Uri (Wind)
Accordion – Sivuca
Acoustic Guitar, Voice, Written-By, Flute [Bass Flute] – Hermeto Pascoal
Bass, Cello – Ron Carter
Viola – Severino De Oliveira
Vocals, Drums, Percussion, Voice – Airto
Voice, Vocals – Flora Purim
Voice, Written By – Googie


A4    Papo Furado (Jive Talking)
Acoustic Guitar, Voice – Severino De Oliveira
Bass, Voice – Ron Carter
Percussion, Voice – Dom Um Romão
Vocals, Percussion, Voice – Airto*
Written By, Acoustic Guitar, Voice – Hermeto Pascoal


B1    Juntos (We Love)
Bass – Ron Carter
Drums, Percussion – Airto
Organ – Severino De Oliveira
Percussion – Dom Um Romão
Written By, Flute [Bass Flute], Piano – Hermeto Pascoal
Written By, Vocals – Flora Purim


B2    O Galho Da Roseira (The Branches Of The Rose Tree)
Acoustic Guitar, Accordion – Severino De Oliveira
Bass – Ron Carter
Keyboards, Written By – Hermeto Pascoal
Percussion – Dom Um Romão
Vocals – Flora Purim


B3    O Galho Da Roseira (The Branches Of The Rose Tree) Part II
Acoustic Guitar, Accordion – Severino De Oliveira
Bass – Ron Carter
Percussion – Dom Um Romão
Vocals – Flora Purim
Written By, Keyboards – Hermeto Pascoal
Credits

Art Direction, Photography By – Sid Maurer
Co-producer, Engineer – Tony May
Coordinator – Flora Purim
Creative Director [Director Of Creative Packaging & Merchandising] – Milton Sincoff
Design – Michael Mandel
Photography By [Back & Inside Covers] – Hal Wilson
Producer – Airto Moreira

Notes
Limited to 1000 copies

LINEAGE: 2020 Real Gone Music / Sony vinyl; Pro-Ject RM-5SE with Audio Tecnica Signet TK7E cartridge; Speedbox power supply; Creek Audio OBH-15; Audioquest Black Mamba and Pangea Premier interconnect cables; M-Audio Audiophile 192 Soundcard ; Adobe Audition at 32-bit float 192khz;  clicks and pops removed manually with Adobe Audition 3.0; resampled and dithered using iZotope RX Advanced. Converted to FLAC in either Trader’s Little Helper or dBPoweramp. Tags done with Foobar 2000 and Tag and Rename.

All resolutions of FLAC: 16/44.1, 24/96, 24/192

password: vibes

Hermeto Pascoal e Grupo – Lagoa da Canoa Municipio de Arapiraca (1984)

Hermeto Pascoal E Grupo
Lagoa Da Canoa Município De Arapiraca
Original release 1984, Som da Gente
This issue, 1988  Happy Hour Music HH5005-2

Normally, during this time of year, I like to post some forró pé de serra and baião to commemorate the marvelous Festas Juninas I came to appreciate when I lived in the northeast of Brazil.  It’s not as if I’ve run out of vintage forró records to post about on the blog, but I feel I could use a change of pace.  I’ve been experiencing some pretty wicked job burnout and other related issues that have put me in an odd state of mind and, with unfortunate frequency, a rather foul mood.  Hence, Hermeto Pascoal is kind of just what the proverbial doctor ordered: something to alleviate the foul mood by way of resonating with odd and the uncomfortable.  Hermeto’s music can be disorienting in the most humanistic of ways. Continue reading