Azymuth – Telecommunication (1982) (2023 Jazz Dispensary Top Shelf)

Azymuth – Telecommunications
Vinyl rip in 24-bit/192 kHz | Brazilian Jazz
Distributed as FLAC (24/192, 24/96) and mp3 (320kbs)
1982 Milestone || 2022 Jazz Dispensary (Craft) || Ltd. ed

Hey, remember when this blog featured Brazilian music?  Me neither!  Well, the relative inutility of music blogs in 2023 notwithstanding, I’m going to make a New Year’s resolution to start visiting Brazil more often, sonically at least, in 2024.  Why not start early with this classic recording from Brazilian jazz outfit Azymuth, recorded in Brazil but not released there, this was originally issued by Milestone. It is presented as part of the Jazz Dispensary Top Shelf series by Craft Records in a limited run. Continue reading

Airto – Seeds On The Ground / The Natural Sounds of Airto (1971) (2020 Real Gone Music) Day 4 of FV’s 12 Days of Xmas

Airto – Seeds On The Ground / The Natural Sounds of Airto
Vinyl rip in 24-bit/192 kHz | FLAC |  300 dpi scans | Jazz, Brazilian, Fusion
Original release, 1971 Buddah Recordhs / Reissue 2020 Real Gone Music / Sony Records

Day 4 of Flabbergasted Vibes’ 12 Days of Christmas finally brings us to Brazil.  Sort of.   I predict there will be much more Brazilian content on this blog in 2022.

The first couple albums from Airto Moreira could easily be co-credited to Hermeto Pascoal, since he played such a major role in them.  He wrote all but two of the tracks on this one. I once had a transcendental shamanic experience with this album while laying in a hammock in the middle of mountain forest.  But you don’t need such accoutrements  to be transported by the music here, it’s truly  the stuff of magic.  At turns moody, deep, and profoundly uplifting, sometimes all at once.  A young Flora Purim shines here too, and she channels Gal Costa’s tropicalista phase with aplomb on tunes like O Sonho / Moon Dreams, a tune credited to Livingston & Evans of “Que Sera Sera” fame and which is also on Flora’s “Butterfly Dreams” LP on Milestone from a few years after this.   It is also worth noting that Sivuca puts in an appearance on the accordion, and Dom Um Romão on the drums, as well as (honorary Brazilian?) Ron Carter on bass throughout.

A1 – Andei (I Walked)
A2 – O Sonho (Moon Dreams)
A3 – Uri (Wind)
A4 – Papo Furado (Jive Talking)
B1 – Juntos (We Love)
B2 – O Galho Da Roseira (The Branches Of The Rose Tree)
B3 – O Galho Da Roseira (The Branches Of The Rose Tree) Part II

A1    Andei (I Walked)
Bass – Ron Carter
Vocals, Percussion, Berimbau – Airto
Written By, Harpsichord, Flute – Hermeto Pascoal


A2    O Sonho (Moon Dreams)
Bass – Ron Carter
Drums, Percussion – Airto
Keyboards – Hermeto Pascoal
Vocals – Flora Purim
Written By – J. Livingston & R. Evans


A3    Uri (Wind)
Accordion – Sivuca
Acoustic Guitar, Voice, Written-By, Flute [Bass Flute] – Hermeto Pascoal
Bass, Cello – Ron Carter
Viola – Severino De Oliveira
Vocals, Drums, Percussion, Voice – Airto
Voice, Vocals – Flora Purim
Voice, Written By – Googie


A4    Papo Furado (Jive Talking)
Acoustic Guitar, Voice – Severino De Oliveira
Bass, Voice – Ron Carter
Percussion, Voice – Dom Um Romão
Vocals, Percussion, Voice – Airto*
Written By, Acoustic Guitar, Voice – Hermeto Pascoal


B1    Juntos (We Love)
Bass – Ron Carter
Drums, Percussion – Airto
Organ – Severino De Oliveira
Percussion – Dom Um Romão
Written By, Flute [Bass Flute], Piano – Hermeto Pascoal
Written By, Vocals – Flora Purim


B2    O Galho Da Roseira (The Branches Of The Rose Tree)
Acoustic Guitar, Accordion – Severino De Oliveira
Bass – Ron Carter
Keyboards, Written By – Hermeto Pascoal
Percussion – Dom Um Romão
Vocals – Flora Purim


B3    O Galho Da Roseira (The Branches Of The Rose Tree) Part II
Acoustic Guitar, Accordion – Severino De Oliveira
Bass – Ron Carter
Percussion – Dom Um Romão
Vocals – Flora Purim
Written By, Keyboards – Hermeto Pascoal
Credits

Art Direction, Photography By – Sid Maurer
Co-producer, Engineer – Tony May
Coordinator – Flora Purim
Creative Director [Director Of Creative Packaging & Merchandising] – Milton Sincoff
Design – Michael Mandel
Photography By [Back & Inside Covers] – Hal Wilson
Producer – Airto Moreira

Notes
Limited to 1000 copies

LINEAGE: 2020 Real Gone Music / Sony vinyl; Pro-Ject RM-5SE with Audio Tecnica Signet TK7E cartridge; Speedbox power supply; Creek Audio OBH-15; Audioquest Black Mamba and Pangea Premier interconnect cables; M-Audio Audiophile 192 Soundcard ; Adobe Audition at 32-bit float 192khz;  clicks and pops removed manually with Adobe Audition 3.0; resampled and dithered using iZotope RX Advanced. Converted to FLAC in either Trader’s Little Helper or dBPoweramp. Tags done with Foobar 2000 and Tag and Rename.

All resolutions of FLAC: 16/44.1, 24/96, 24/192

password: vibes

Hermeto Pascoal e Grupo – Lagoa da Canoa Municipio de Arapiraca (1984)

Hermeto Pascoal E Grupo
Lagoa Da Canoa Município De Arapiraca
Original release 1984, Som da Gente
This issue, 1988  Happy Hour Music HH5005-2

Normally, during this time of year, I like to post some forró pé de serra and baião to commemorate the marvelous Festas Juninas I came to appreciate when I lived in the northeast of Brazil.  It’s not as if I’ve run out of vintage forró records to post about on the blog, but I feel I could use a change of pace.  I’ve been experiencing some pretty wicked job burnout and other related issues that have put me in an odd state of mind and, with unfortunate frequency, a rather foul mood.  Hence, Hermeto Pascoal is kind of just what the proverbial doctor ordered: something to alleviate the foul mood by way of resonating with odd and the uncomfortable.  Hermeto’s music can be disorienting in the most humanistic of ways. Continue reading

Tamba Trio – Tamba Trio (1975)

Tamba Trio
(self-titled)
RCA 888430906624
Original release 1975
Reissue 2014 (EU)

1 – 3 Horas Da Manhã  (Ivan Lins, Waldemar Correia) 2:42
2 Visgo De Jaca (Sergio Cabral, Rildo Hora) 2:35
3 Ou Bola Ou Bulica (Aldir Blanc, Joao Bosco) 2:12
4 Beira-Mar (Ivan Lins) 2:19
5 Olha Maria (Amparo) (A.C. Jobim) 4:45
6 Chorinho No. 1 (Durval Ferreira) 1:44
7 Jogo Da Vida (Sidney Miller, Danilo Caymmi) 3:15
8 Sanguessuga (Fernando Brant, Toninho Horta) 3:47
9 Janelas (Ivan Lins, Ronaldo Monteiro) 1:38
10 Contra O Vento (Ana Borba, Danilo Caymmi) 2:45
11 Beijo Partido (Toninho Horta) 2:28
12 Chamada (Helio Delmiro, Paulo Cesar Pinheiro) 2:10

Arrangements, piano, Fender Rhodes, Arp Synthesizer, Vocals – Luiz Eça
Bass, Percussion, Flute [In C And G], Vocals  – Bebeto
Percussion, Drums, Vocals – Hélcio Milito

With Hélio Delmiro (guitar)

Also featuring João Bosco (guitar and vocal on Track 3); Toninho Horta (guitar on tracks 8 & 11); Danilo Caymmi (guitar, tracks 7 & 10); and Rildo Hora (harmonica, track 2).

Recorded and mixed by Nestor Vitiritti, RCA Studios, Rio de Janeiro

Artwork By – Ney Tavora
Artwork and Photographic Effects– Sérgio De Garcia
Coordinator, Directed By – Raymundo Bittencourt
Design – Carlos Guarany
Photography – Ivan Klingen

 

This is a very solid record, and Tamba Trio was doing a fine job of updating their sound to stay contemporary with developments in MPB. So instead of Jobim & Vincius compositions, we have Aldir Blanc and Joao Bosco (who also guests on the record), Fernando Brandt and Toninho Horta (another guest), Danilo Caymmi, Ivan Lins (yet another guest), Paulo Cesar Pinheiro — only top shelf stuff here, it’s like reaching for the blue Johnny Walker bottle instead of the black or the red.  Another nice touch is the neo-chorinho composition by Durval Ferreira here.

But this is obviously no longer a trio configuration of the group, and the album doesn’t have the exuberance or urgency of their early records.  It does have the mature confidence of guys who have been playing together for over a decade and invited a bunch of their talented famous friends over to create new textures on their new album.  Bassist and flautist Bebeto sings on this record, and his voice is what I imagine Chico Buarque might sound like if he were suffering from dengue fever, with that microtonally desafinado (out of tune) quality so characteristic of bossa nova which – if you aren’t quite in the mood for it – can make a person feel a little seasick.

Mirror 1 || Mirror 2

 

16-bit 44.1 khz

Mirror 1 ||  Mirror 2

João Donato & Deodato – DonatoDeodato (1973)

João Donato & Deodato – DonatoDeodato
1973 Muse Records MR 5017

Vinyl rip in 24 bit 192 khz | Art at  300 dpi
24-bit 192 khz – 1.22 GB | 24 bit 96 khz – 645 MB | 220 MB 16-bit 44.1 khz
Jazz-Funk – Latin – Brazilian

 

Dr. Vibes’ 12 Days of Christmas – Day 5:  Quite a lineup on this short gem of a record. I mean, if I could have added Chuck Rainey, Idris Muhammad, and Phil Upchurch to it, it would have been PERFECT but heck, I’ll take this…  This is a nice, short, mildly psychedelic jazz-funk gem, if not quite the explosive results you might expect for a meeting of the minds like Donato & Deodato.  Ray Barretto and Airto are kept on kind of a short leash, for example.  Considering the total album time clocks in at around 30 minutes, one wonders why they couldn’t have stretched out a little more on a few of these tunes.  The band surely could have handled it.

Continue reading

Walter Wanderley Trio – Chegança (1966) (1971 reissue)

The Walter Wanderley Trio – Cheganca
Original release 1966 on Verve
1971 Reissue MGM Records
Series: MGM Latino Series – 10,010 MGS 610

Like many musicians looking for reprieve from the turmoil of mid-60s Brazil, keyboardist Walter Wanderley had left the country and settled in the United States.   He emigrated at the behest of Creed Taylor and made half a dozen albums for Verve. Most of them can be classed under ‘lounge’ or ‘exotica’ music, which has its own charms, although often as sweet as the half ton of bagged sugar featured on the front of this album.  But “Chegança” is more like the bossa-jazz records Wanderley made in Brazil and has much less of the Creed Taylor background-music schmaltz factor.   The whole band grooves together.  There is appropriately unsubtle cuica playing on O Ganso (“The Goose”)  The highlight, though,  is still the organ playing.  Have a listen to the solo in “Você e eu” below. Continue reading