Fela Anikulapo Kuti and Egypt 80
Released 1985 on Celluloid (CELL 6109)
Reissued 2001 on MCA (314 549 381-2)
I am too upset and angry to write a commentary for this album. I stayed awake all night watching online live coverage of the situation in Egypt, then woke up and watched their Vice President talk absolute garbage, telling bald-faced lies, blaming the unrest on `outside agendas`, and basically threatening the protesters should they continue. This is coming after a night of attacks on peaceful demonstrators by agents provocateurs, plainclothes police officers, and paid thugs attempting to delegitimize the continued presence of popular manifestations. I think it is safe to say that in the eyes of most of the world, they have failed – the protests are legitimate, and this dictatorship has to come down, NOW. Journalists are now being rounded up and detained. The situation is, as the cliché goes, will probably get worse before it gets any better.
I spent a little while looking through my record collection in my stainless-steel bunker for any angry music from Egypt, wishing I had access to my secret vault in the Kayman Islands that holds the rest of my collection, and then looking through computer hard drives. I came up with this album. Unless you have been living under a rock or in a steel bunker for the last half century, you know that Fela Kuti was Nigerian, and not Egyptian. But he named his second band Egypt 80 for symbolic reasons, and this oft-overlooked album seems to fit my mood at least. Considerably less of a hard-edged sound than his earlier material (can we blame producer Bill Laswell? please say yes…) Anyway. Check it out.
I am sending out VIBES to the people of Egypt and especially those in Tahrir Square: DO NOT GO HOME. Do not give up. Do not believe anything your government says or any conciliatory advice from their “sympathizers” (apologists). Mubarak has had 30 years to prove himself amenable to the demands and criticisms of his own people. He has not. Time to go home, Mubarak. THERE SHALL BE NO COMPROMISE.
Outside influences? Really? Let me say something about outside influences. Egypt is the second largest recipient of United States military aid in the world. I am a citizen of the United States. I certainly never voted for this aid nor gave my support for it. The canisters of tear gas being volleyed at the protesters since the beginning had “Made in the U.S.A.” stamped on them. This makes me nauseous and ashamed.
It is a pathetic hypocrisy to DEPEND on “outside influences”, such as powerful allies like the Policeman-To-The-World that the US has been for a half century, and then claim that “outside influences” must be purged and foreign powers need to stop meddling in your affairs.
As Liston Lonnie Smith said — “CITIZENS OF THE WORLD! It’s time for WORLD PEACE.”
Get this motherfucker out of office.
Artwork By [Concept] – Patrick Di Meglio
Artwork By [Picture] – Gilles Chagny
Bass Guitar – Herman Menimade Addo
Congas – Ola Ijagun
Drums – Francis Foster
Drums [Simmons] – Sly Dunbar (tracks: A)
Flugelhorn – Oye Shobowale
Guitar [Rhythm] – Chukwudi Aroga , Keji Ifarunmi
Guitar [Tenor] – Okalue Ojeah
Keyboards [Yamaha Rx 11], Talking Drum [Chatan], Cowbell – Aiyb Dieng (tracks: B1, B2)
Leader, Saxophone [Baritone] – Lekan Animashaum
Maracas – Fosibor Okafor*
Mastered By – Howie Weinberg
Organ [Hammond B3] – Bernie Worrell (tracks: A, B1)
Percussion [Sticks] – Lamptey Addo
Piano [Rhythm] – Dele Shosimi
Producer – Bill Laswell , Fela
Recorded By, Mixed By – Robert Musso
Saxophone [Alto] – Nana-Femi-Anikulapo Kuti
Saxophone [Baritone, 2nd] – Acheampong (Kolaoni)
Saxophone [Soprano] – Fela Anikulapo Kuti
Saxophone [Tenor] – Oyinade Adeniran
Talking Drum – Aiyb Dieng (tracks: A)
Trumpet [2nd] – Akomeah Dodo
** This is not my rip and I owe thanks to the SUN KING for it. I hope he doesn’t mind the reappropriation and resignification.
in 320 em pé tré
in FLAC LOSSLESS AUDIO
secret codes to the insurgent uprising are in the commentaries