Assorted Reups Oct.5 – Jackson, Maysa, Fuentes, Purdie, Donato, Ben

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I’ve been fixing dead links on this site piecemeal and decided to announce at least a few of the ones that have received requests.  I don’t always publish comments from people reporting dead links, because most of the time they can’t be bothered to even say ‘thanks for this post’.  Anyway here are a handful of fixed posts with more to come in the near future

Jackson do Pandeiro – Os Grandes Sucessos de …
Maysa – Maysa, Amor… e Maysa (1961)
Colombia! The Golden Age of Discos Fuentes 1960-1976
Pretty Purdie & The Playboys – Stand By Me (Whatcha See Is Whatcha Get) (1971)
João Donato – The New Sound of Brazil / Piano of João Donato (1965)
Jorge Ben – Raridades e Inéditas (2009)

Fruko, El Bueno – Ayunando (1973) Fruko y Sus Tesos

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FRUKO, EL BUENO
“Ayunando”
Released 1973
Disco Fuentes (LP 200748)

01 – Fruko Power
02 – Ayunando
03 – Tu Sufriras
04 – Yo Soy el Punto Cubano
05 – Lamentdo del Campesino
06 – Mosaico Santero: A Santa Bárbara – San Lázaro – A la Caridad del Cobre
07 – El Ausente
08 – Canto a Borinquen
09 – Pa’ Teso Yoi

Vocals: Joe Arroyo and Wilson Saoko
Trumpets: Jorge Gariria, Salvador Pasos
Trombones: Gonzalo Gómez, Freddy Ferrer
Timbales: Rafael Benitez
Conga – Fernando Villegas
Bongo: Jesús Villegas
Electric Piano: Luis Felipe Basto
Bass, arrangements: Fruko

Executive Producer: Jose Maria Fuentes E.
Produced by: Mario Rincon P
Musical Director: Fruko
Recording Engineer: Mario Rincon P.

Vinyl -> Pro-Ject RM-5SE turntable (with Sumiko Blue Point 2 cartridge, Speedbox power supply) > Creek Audio OBH-15 -> M-Audio Audiophile 2496 Soundcard -> Adobe Audition 3.0 at 24-bits 96khz -> Click Repair light settings, some isolated clicks removed using Audition -> dithered and resampled using iZotope RX Advanced. Tags done with Foobar 2000

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Anyone who has heard the compilations from the likes of Soundway Records or VampiSoul covering cumbia, salsa, or Latin funk sounds has no doubt had the tracks from Fruko jump right out at them. His band went through a variety of sounds over the 70s and I haven’t heard anything I didn’t like yet. Here we see him in a humorous counter-spin on the campy ‘bad boy’ image he had been using (modeled somewhat after Willie Colon’s album covers) on his earlier album art, by becoming the benevolent “Fruko the Good”!

Fruko’s discography is so huge, and I am familiar with such a small portion of it, that it’s difficult for me to say anything of much profundity. However, he is known to a lot of us non-Colombians for some of the funkier stuff he recorded as well as his bad-ass cumbias. But on this record, the only thing funky is the rather creepy and slightly nauseating album cover (thank the stars for the strategic use of glass decanters…) featuring Fruko in his best Bacchus impersonation, and there is no cumbia to had. This is pretty much a straight salsa album with strains of Latin Soul via the Nuyorican scene. Although I prefer Joe Arroyo’s vocals slightly over Wilson Saoko, Wilson definitely knows how to kick it on the more ‘soulful’ bits, and his singing on the wonderful “Lamento del campesino” is fantastic. The idea of having two lead singers in his band — both of them great, really – is just one of the things that makes Fruko and this record special. That, and the disturbing album cover. Check out the electric piano (Wurlitzer, I believe) work on this album too, in place of the more traditional acoustic piano. There isn’t a bad tune in the bunch, with some of my favorites being the title cut, “Mosaico Santero”, “El Ausente” (which has appeared on some compilations), and the tribute to ‘my people’ in Puerto Rico, “Canto a Boriquen.”

Oddly enough there are not just song samples but entire songs from this album available from the website of COLOMBIAN NATIONAL RADIO

I would like to say that personally I find my own vinyl rip much more satisfying to the ears…

flac button

24bit

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