Raulzinho – À Vontade Mesmo (1965) (1980 RCA Japan)

 

Raulzinho – À Vontage Mesmo
1980 RCA Japan RCA – PG-143 ||  Orig. rel. 1965 RCA Victor (Brasil)

Do you like trombone? Do you like JAZZ trombone? Do you like trombone as the lead instrument on every track of a jazz record? If you answered “no” to any of those questions, well I still encourage you to give this album a shot. Because although trombonist Raul de Souza is the leader, it’s the band itself who is the star here. As a unit they’re just unreal. In the 1970s, Raul de Souza would have a comfortable career in the U.S. making jazz-funk / fusion records. Continue reading

Andy Bey – Ballads, Blues, and Bey (1996)

Andy Bey – Ballads, Blues & Bey
1996 Evidence – ECD 22162-2

Except for a little-heard 1991 album released only in Croatia, this was Andy Bey’s first release since the classic rare groove masterwork ‘Experience & Judgement’ in 1974. As such – and because I still haven’t heard that 1991 album — I consider this record the first salvo in Bey’s “third act”.

He’d begun his recording career with his sisters in classy, upbeat, swinging and bop-leaning vocal jazz. Then in the late 60s and 70s, he can be found on all sounds of heady albums by the likes of Horace Silver, Gary Bartz, Stanley Clarke, and some others. And here he is in the 90s, coming back in a stripped down setting of just his amazing voice and more-than-adequate piano playing.This may sound like a back-handed compliment about his piano playing, but that’s not my intent.  I don’t feel qualified to give a detailed opinion about solo piano in general.  His playing is lyrics and un-fussy, and seems to be going for a subdued, Bill Evans type vibe which suits the music very well.  He does some cool stuff with harmony, but my lack of formal music education limits my analysis about that.  Really, though, his incredible skills and emotive range as a vocalist is why I listen to Andy Bey.

One could say that this is perfect stuff for a Sunday afternoon or a nightcap when you just need to settle down, but for me this music doesn’t stay in the background, because at some point you just want to stop and give him your undivided attention. I mean, he stretches out “You’d Be So Nice To Come Home To” to 8 minutes, and I hardly notice the time pass.  That’s saying quite a lot for somebody just accompanying themselves on the ivories. At least in the idiom of popular music, which historian Eric Hobsbawm argued was the true nature of jazz and how it came to prominence.

Bey would start to work with jazz combos again soon after this, and those albums are great too, but this intimate affair is a great way to either discover Bey for the first time or to reacquaint yourself with him.

Tracklist
1. Someone To Watch Over Me (06:19)
2. You’d Be So Nice To Come Home To (08:08)
3. I Let A Song Go Out Of My Heart (07:39)
4. In A Sentimental Mood (07:03)
5. Willow Weep For Me (06:46)
6. Yesterdays (07:40)
7. If You Could See Me Now (06:16)
8. I’m Just A Lucky So And So (05:21)
9. Day Dream (07:19)
10. Embraceable You (06:33)

Total length: 01:09:04

More information: https://www.discogs.com/release/4271786-Andy-Bey-Ballads-Blues-Bey-

Recorded on May 19 & 20, 1995 at Carl Seltzer Studios, NYC

Vocals, Piano – Andy Bey

Executive-Producer – Cornelius Pitts, Jerry Gordon
Producer – Herb Jordan

Manufactured By – KAO Optical Products
Copyright © – Evidence Music, Inc.

Engineer: Carl Seltzer
Photography: Stephanie Badini
Art Direction: Rothacker Advertising & Design

Barcode (Text): 7 30182 21622 6
Barcode (Scanned): 730182216226
Matrix / Runout: MANUFACTURED BY KAO ***AP0051008-03* ECD22162
Mastering SID Code: IFPI L955
Mould SID Code: IFPI 3G22

 

Azymuth – Telecommunication (1982) (2023 Jazz Dispensary Top Shelf)

Azymuth – Telecommunications
Vinyl rip in 24-bit/192 kHz | Brazilian Jazz
Distributed as FLAC (24/192, 24/96) and mp3 (320kbs)
1982 Milestone || 2022 Jazz Dispensary (Craft) || Ltd. ed

Hey, remember when this blog featured Brazilian music?  Me neither!  Well, the relative inutility of music blogs in 2023 notwithstanding, I’m going to make a New Year’s resolution to start visiting Brazil more often, sonically at least, in 2024.  Why not start early with this classic recording from Brazilian jazz outfit Azymuth, recorded in Brazil but not released there, this was originally issued by Milestone. It is presented as part of the Jazz Dispensary Top Shelf series by Craft Records in a limited run. Continue reading

Max Roach’s Freedom Now Suite: We Insist feat. Abbey Lincoln (1961)

Max Roach – Max Roach’s Freedom Now Suite: We Insist
Vinyl trasnsfer in 24-bit/192 kHz | FLAC |  300 dpi + web scans | Bebop, Hard Bop
Candid CLP 30021 | Record Store Day 2022 | Orig.rel. 1961

“The Beat has a rich and magnificent history…”  We could do worse than to commemorate Juneteenth with this epoch-defining slab of jazz directly from the front lines of the Civil Rights Movement.  Max Roach and vocalist Abbey Lincoln (soon to be married in 1962) lead an ensemble that includes other luminaries like Coleman Hawkins, Julian Priester, Olatunji, and Booker Little. Continue reading

Lonnie Liston Smith & The Cosmic Echoes – Cosmic Funk (1974) (2022 RGM)

Lonnie Liston Smith & The Cosmic Echoes – Cosmic Funk
Vinyl rip in 24-bit/192 kHz | FLAC | 300 dpi scans | Jazz, Spiritual jazz
2022 Real Gone Music || 1974 Orig. Flying Dutchman

So I actually crafted a new, short write-up of this record without remembering that I posted about it once before, 13 years ago, because of course I did.  You can read that screed here, if you like.  I will probably blog about this album a third time, when I get around to transferring an original Flying Dutchmen pressing I have.  I think this recent reissue holds up quite well against it, sonically speaking, so here we go….

Continue reading

Nina Simone – Nina Simone’s Finest Hour (2000)

Nina Simone – Nina Simone’s Finest Hour
2000 Verve Records (314 543 604-2)

I thought I would make a quick blog post to commemorate International Women’s Day and pay tribute to one of my heroes, the great Nina Simone.  Superlatively gifted and inspired as both a pianist and vocalist, courageous and visionary, groundbreaking, tenacious, mercurial — I could keep throwing adjectives at this woman all day and never run out of them.  Is this collection her “finest hour”?  Continue reading