Popol Vuh – Nosferatu The Vampyre (1978) (Original Soundtrack)

Popol Vuh – Nosferatu the Vampyre (Original Sound Track)
2019 Reissue (Germany)
Original releases, 1978, as “On The Way To A Little Way” and “Brüder Des Schattens – Söhne Des Lichts “

Werner Herzog had one of the most notable and singular relationships between a director and a composer/musician through his friendship with Florian Fricke (who was basically Popul Vuh – he did the “solo-artist-with-guests-marketed-as-a-band” thing long before the indie kids).  The soundtrack to the classic Nosferatu The Vampyre film has one of the more confusing release histories in their partnership, being drawn from music that Fricke had already released as a Popul Vuh album on his own.  And unlike some of their other collaborations, like Aguirre, where the soundtrack runs through the film like a recurring character, Nosferatu actually didn’t feature much music in the final edit.  Nevertheless, the music is as otherworldly and haunting as any other work from Fricke’s prolific career, with his characteristic blend of mysticism and melancholy.  I share it here on Halloween, 2020, when we don’t even need to use our imaginations to see the horrific all around us.  May it provide a soundtrack to however you chose to spend the day.

1 Brüder Des Schattens 5:45
2 Höre, Der Du Wagst 6:00
3 Das Schloss Des Irrtums 5:37
4 Die Umkehr 5:57
5 Mantra 1 6:15
6 Morning Sun 3:22
7 Venus Principle 4:41
8 Mantra 2 5:23
9 Die Nacht Der Himmel 5:03
10 Der Ruf Der Rohrflöte 3:39
11 To A Little Way 2:33
12 Through Pain To Heaven 3:47
13 On The Way 4:05
14 Zwiesprache Der Rohrflöte 3:26

Acoustic Guitar, Electric Guitar – Daniel Fichelscher
Oboe – Bob Eliscu
Piano – Florian Fricke
Producer – Florian Fricke, Gerhard Augustin
Sitar – Alois Gromer
Tambora [Tamboura] – Ted De Jong

Remastered By – Frank Fiedler, Guido Hieronymus


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Arsenio Rodríguez – Primitivo (1965)

Arsenio Rodríguez
Primitivo
Original release, 1965 – Roost Records LP 2261
CD reissue, 1999 Tico Records SLP-1173

The blind Afro-Cuban tres player, percussionist, composer and bandleader Arsenio Rodríguez was one of a handful of individuals who fundamentally changed Latin music in the twentieth century, a fact which history and audiences were somewhat slow to recognize.  This record features a lean, stripped-down ensemble he put together in early 1958 at the behest of Teddy Reig, who for some reason sat on the recordings for a full seven years.  Reig was apparently interested in “folkloric” Cuban music but Arsenio brought him a dozen new compositions.  It is kind of an “unplugged” album, though – the tres is unamplified, without the pleasingly gritty tone he would get when running it through an amp, and hence so of the most crystal clear playing he ever committed to tape.  The clarity is also helped by the absence of piano and bongó, leaving the middle and middle-upper registers all to the tres and the trumpets.  For me, “Rumba Guajira” is the most spell-binding cut here but all the tunes are excellent.  Maybe Reig’s thirst for folklore was quenched by the vernacular poetic form showed off in ‘Coplas de España” with Arsenio ripping 16th-noted arpeggios with hints of flamenco.  Shortly after this recording session, Arsenio made one of several tours to Chicago, playing for the Puerto Rican and  Cuban audiences on the city’s north side at clubs like the Capri.*

1 La Pasion
2 Me Engañastes Juana
3 Lo Que Dice Justi
4 Rumba Guajira
5 Coplas De España
6 Que Mala Suerte
7 Fiesta En El Solar
8 Me Equivoque Contigo
9 A Gozar Mujeres
10 No Lo Niegues
11 El Lema Del Guaguanco
12 Guaguanco De Puerta Tierra

Sessions recorded in 1958 in NYC.  Also issued as Arsenio y Kike: canta Monguito (Tico LP-1173) on vinyl.

Credits:
Ramón “Monguito” Quián – first vocal
Davy González – first vocal
Candido Antomattei – second voice
Israel Berrios – second voice and guitar
Agustin Caraballoso – trumpet
Johnny Malco – trumpet
Arsenio Rodríguez – tres
Abelardo Chacón – timbal
Kiki – tumbadora

Producer – Teddy Reig
Written songs composed by Arsenio Rodriguez except track 3 by Justí Barreto

*Information for this post was drawn from the excellent book, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music by David F. García, 2006 Temple University Press.

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