Tag: Latin Jazz

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Airto – Seeds On The Ground / The Natural Sounds of Airto (1971) (2020 Real Gone Music) Day 4 of FV’s 12 Days of Xmas

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Airto – Seeds On The Ground / The Natural Sounds of Airto
Vinyl rip in 24-bit/192 kHz | FLAC |  300 dpi scans | Jazz, Brazilian, Fusion
Original release, 1971 Buddah Recordhs / Reissue 2020 Real Gone Music / Sony Records

Day 4 of Flabbergasted Vibes’ 12 Days of Christmas finally brings us to Brazil.  Sort of.   I predict there will be much more Brazilian content on this blog in 2022.

The first couple albums from Airto Moreira could easily be co-credited to Hermeto Pascoal, since he played such a major role in them.  He wrote all but two of the tracks on this one. I once had a transcendental shamanic experience with this album while laying in a hammock in the middle of mountain forest.  But you don’t need such accoutrements  to be transported by the music here, it’s truly  the stuff of magic.  At turns moody, deep, and profoundly uplifting, sometimes all at once.  A young Flora Purim shines here too, and she channels Gal Costa’s tropicalista phase with aplomb on tunes like O Sonho / Moon Dreams, a tune credited to Livingston & Evans of “Que Sera Sera” fame and which is also on Flora’s “Butterfly Dreams” LP on Milestone from a few years after this.   It is also worth noting that Sivuca puts in an appearance on the accordion, and Dom Um Romão on the drums, as well as (honorary Brazilian?) Ron Carter on bass throughout.

A1 – Andei (I Walked)
A2 – O Sonho (Moon Dreams)
A3 – Uri (Wind)
A4 – Papo Furado (Jive Talking)
B1 – Juntos (We Love)
B2 – O Galho Da Roseira (The Branches Of The Rose Tree)
B3 – O Galho Da Roseira (The Branches Of The Rose Tree) Part II

A1    Andei (I Walked)
Bass – Ron Carter
Vocals, Percussion, Berimbau – Airto
Written By, Harpsichord, Flute – Hermeto Pascoal


A2    O Sonho (Moon Dreams)
Bass – Ron Carter
Drums, Percussion – Airto
Keyboards – Hermeto Pascoal
Vocals – Flora Purim
Written By – J. Livingston & R. Evans


A3    Uri (Wind)
Accordion – Sivuca
Acoustic Guitar, Voice, Written-By, Flute [Bass Flute] – Hermeto Pascoal
Bass, Cello – Ron Carter
Viola – Severino De Oliveira
Vocals, Drums, Percussion, Voice – Airto
Voice, Vocals – Flora Purim
Voice, Written By – Googie


A4    Papo Furado (Jive Talking)
Acoustic Guitar, Voice – Severino De Oliveira
Bass, Voice – Ron Carter
Percussion, Voice – Dom Um Romão
Vocals, Percussion, Voice – Airto*
Written By, Acoustic Guitar, Voice – Hermeto Pascoal


B1    Juntos (We Love)
Bass – Ron Carter
Drums, Percussion – Airto
Organ – Severino De Oliveira
Percussion – Dom Um Romão
Written By, Flute [Bass Flute], Piano – Hermeto Pascoal
Written By, Vocals – Flora Purim


B2    O Galho Da Roseira (The Branches Of The Rose Tree)
Acoustic Guitar, Accordion – Severino De Oliveira
Bass – Ron Carter
Keyboards, Written By – Hermeto Pascoal
Percussion – Dom Um Romão
Vocals – Flora Purim


B3    O Galho Da Roseira (The Branches Of The Rose Tree) Part II
Acoustic Guitar, Accordion – Severino De Oliveira
Bass – Ron Carter
Percussion – Dom Um Romão
Vocals – Flora Purim
Written By, Keyboards – Hermeto Pascoal
Credits

Art Direction, Photography By – Sid Maurer
Co-producer, Engineer – Tony May
Coordinator – Flora Purim
Creative Director [Director Of Creative Packaging & Merchandising] – Milton Sincoff
Design – Michael Mandel
Photography By [Back & Inside Covers] – Hal Wilson
Producer – Airto Moreira

Notes
Limited to 1000 copies

LINEAGE: 2020 Real Gone Music / Sony vinyl; Pro-Ject RM-5SE with Audio Tecnica Signet TK7E cartridge; Speedbox power supply; Creek Audio OBH-15; Audioquest Black Mamba and Pangea Premier interconnect cables; M-Audio Audiophile 192 Soundcard ; Adobe Audition at 32-bit float 192khz;  clicks and pops removed manually with Adobe Audition 3.0; resampled and dithered using iZotope RX Advanced. Converted to FLAC in either Trader’s Little Helper or dBPoweramp. Tags done with Foobar 2000 and Tag and Rename.

All resolutions of FLAC: 16/44.1, 24/96, 24/192

password: vibes

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The Alegre All-Stars – The Alegre All-Stars (1961)

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The Alegre All Stars – s/t
Vinyl transfer in 24-bit/192 kHz | FLAC |  300 dpi scans | Latin, Descarga, Salsa
1961 Alegre Records LPA-810 || Repress, 1960s/70s || Mono

This is the first of several albums made by The Alegre All Stars and the only one with Johnny Pacheco on flute, who  left the label to form Fania soon after.  It features Charlie Palmieri on piano and Barry Rogers on trombone.  It a big way, it set the template for one component of what would become known as “salsa”: in particular, the loose jamming that would become a trademark of the Fania All-Stars live performances (at least through the mid-1970s). The vocalists are no slouches either: Dioris Valladares, Yayo “El Indio” Paquero, and Rudy Calzado were all well-known in their day and deserve more renown.  The album features lots of studio banter and even the sound of drinks being poured: the informal atmosphere was deliberate, with aim to capturing the kind of vibe that Israel ‘Cahcao’ Lopez had on his famous Cuban “descarga” sessions. Continue reading

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Tamba Trio – Tamba Trio (1975)

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Tamba Trio
(self-titled)
RCA 888430906624
Original release 1975
Reissue 2014 (EU)

1 – 3 Horas Da Manhã  (Ivan Lins, Waldemar Correia) 2:42
2 Visgo De Jaca (Sergio Cabral, Rildo Hora) 2:35
3 Ou Bola Ou Bulica (Aldir Blanc, Joao Bosco) 2:12
4 Beira-Mar (Ivan Lins) 2:19
5 Olha Maria (Amparo) (A.C. Jobim) 4:45
6 Chorinho No. 1 (Durval Ferreira) 1:44
7 Jogo Da Vida (Sidney Miller, Danilo Caymmi) 3:15
8 Sanguessuga (Fernando Brant, Toninho Horta) 3:47
9 Janelas (Ivan Lins, Ronaldo Monteiro) 1:38
10 Contra O Vento (Ana Borba, Danilo Caymmi) 2:45
11 Beijo Partido (Toninho Horta) 2:28
12 Chamada (Helio Delmiro, Paulo Cesar Pinheiro) 2:10

Arrangements, piano, Fender Rhodes, Arp Synthesizer, Vocals – Luiz Eça
Bass, Percussion, Flute [In C And G], Vocals  – Bebeto
Percussion, Drums, Vocals – Hélcio Milito

With Hélio Delmiro (guitar)

Also featuring João Bosco (guitar and vocal on Track 3); Toninho Horta (guitar on tracks 8 & 11); Danilo Caymmi (guitar, tracks 7 & 10); and Rildo Hora (harmonica, track 2).

Recorded and mixed by Nestor Vitiritti, RCA Studios, Rio de Janeiro

Artwork By – Ney Tavora
Artwork and Photographic Effects– Sérgio De Garcia
Coordinator, Directed By – Raymundo Bittencourt
Design – Carlos Guarany
Photography – Ivan Klingen

 

This is a very solid record, and Tamba Trio was doing a fine job of updating their sound to stay contemporary with developments in MPB. So instead of Jobim & Vincius compositions, we have Aldir Blanc and Joao Bosco (who also guests on the record), Fernando Brandt and Toninho Horta (another guest), Danilo Caymmi, Ivan Lins (yet another guest), Paulo Cesar Pinheiro — only top shelf stuff here, it’s like reaching for the blue Johnny Walker bottle instead of the black or the red.  Another nice touch is the neo-chorinho composition by Durval Ferreira here.

But this is obviously no longer a trio configuration of the group, and the album doesn’t have the exuberance or urgency of their early records.  It does have the mature confidence of guys who have been playing together for over a decade and invited a bunch of their talented famous friends over to create new textures on their new album.  Bassist and flautist Bebeto sings on this record, and his voice is what I imagine Chico Buarque might sound like if he were suffering from dengue fever, with that microtonally desafinado (out of tune) quality so characteristic of bossa nova which – if you aren’t quite in the mood for it – can make a person feel a little seasick.

Mirror 1 || Mirror 2

 

16-bit 44.1 khz

Mirror 1 ||  Mirror 2

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Angel Canales – El Diferente (1981) (Senelac Records LP8881)

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Angel Canales – El Diferente
1982 Senelac Records LP 8881
Salsa / Latin-Jazz / Fusion

Well Brazil has jumped the shark, so I’m going to devote some musical energy to other places for a while.  The U.S. still has a chance of climbing back out of the rabbit hole it’s gone down.  And that is in no small part due to the ever-evolving demographic changes that terrify the White Nationalists so much.  So, here’s an album from the great Ángel Canales, born in Santurce, PR, but raised in New York.  His recording career began on Alegre Records with a record featuring a sexy but somewhat bizarre album cover and a hit in “Lejos De Ti”.  By the 1980s, he was putting out records on his own label, SENALAC.  This one features a blistering-hot band, with amazing baritone sax blowing by Pete Miranda, and charismatic Canales leading the proceedings. While “El Diferente” is still firmly rooted in salsa, bomba, and plena traditions, there is also a fusion edge to the band’s versatility and ability to surprise with their arrangements (done by no less than six different people).  Continue reading

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Hilton Ruiz – El Camino (1987) (featuring Dick Griffin and Sam Rivers)

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Hilton Ruiz
El Camino (The Road)
1988 Novus 3024-1-N

A1 West Side Blues 6:42
A2 Come Dance With Me 8:25
A3 Sometimes I 6:26
B1 El Camino (The Road) 6:19
B2 Message From The Chief 1:54
B3 Eastern Vibrations 14:55

Recorded At – Uptown Chelsea Sound

Bass – Andy Gonzalez
Congas, Percussion – Jerry Gonzalez
Drums, Guiro – Steve Berrios
Guitar – Rodney Jones
Percussion, Congas – Jose Alexis Diaz
Piano, arrangements – Hilton Ruiz
Tenor Saxophone, Soprano Saxophone, Flute – Sam Rivers
Timbales – Endel Dueno
Trombone, arrangements on A2 & A3 – Dick Griffin
Trumpet – Lew Soloff

Engineer – Tony May
Producer – Ed Michel
Liner Notes – Leonard Feather

Recorded October 15, 1987, Uptown Chelsea Sound, New York City.

LINEAGE: Novus 3024-1-N vinyl; Pro-Ject RM-5SE with Audio Tecnica AT440-MLa cartridge; Speedbox power supply; Creek Audio OBH-15; Audioquest King Cobra cables; M-Audio Audiophile 192 Soundcard ; Adobe Audition at 32-bit float 192khz; clicks and pops removed with Click Repair on very light settings, manually auditioning the output; further clicks removed with Adobe Audition 3.0; dithered and resampled using iZotope RX Advanced. Converted to FLAC in either Trader’s Little Helper or dBPoweramp. Tags done with Foobar 2000 and Tag and Rename. Transferred Summer 2017.

The blog has been way too quietly these last few weeks, as “real life” suddenly got real busy.  But it’s all good stuff for once, so it seems like a good moment to post this album that’s been in the queue for a while.  Plus it has nice liner notes from the late Leonard Feather which means I can keep my trap shut and let him do most of the talking. This is a tremendous sophomore album by the late, great pianist Hilton Ruiz, who played in Rahsaan Roland Kirk’s band among many others.  He brings some heavy weight to this session, which was recorded live to 2-track DAT.  The presence of  Lew Soloff on trumpet, along with fellow Kirk alum Dick Griffin (who contributes two compositions) and the brilliant Sam Rivers, pretty much insure you’re in for a great listen.  As Feather writes, it grabs your right at the beginning and doesn’t let go.  The closing number, the fourteen-minute Eastern Vibrations, is in a modal spiritual jazz vibe, and Hilton’s solo is off the hook, pushing into Cecil Taylor territory but never straying too far from the driving pulse of the tune.   Here, have a look at the liner notes:

 

password: vibes