José Roberto e Seu Conjunto
Organ Sound, Um Nôvo Estilo
Released 1970 Polydor
Japanese reissue 2008
01 – Aventura
02 – Smile a Little Smile for Me.
03 – Airport Love Theme
04 – Toboga
05 – Jingle, Jangle
06 – Viagem
07 – Samanta
08 – No Time
09 – Diamante cor de Rosa
10 – The Rapper
11 – Mon Ami
12 – Always Something There to Remind Me
This is pre-Azymuth José Roberto Bertrami. He was working as a studio musician at the time and was probably on a hundred records you have in your collection, many without being credited. Before this he was in the band A Turma da Pilantragem.
This is nice organ combo pop-jazz with an occasional bossa flair and spasms of funkiness. Aside from the tracks “Aventura” and “Mon Ami”, which are his own, everything else here is comprised of other composer’s work. Kind of easy-listening and loung-y but with just enough instrumental prowess and creative arrangements to keep it interesting. His playing may not be nearly as inventive as what he would produce with Azymuth only a few years later, but Bertrami still coaxes enough otherworldly sounds out of his keyboards to prove why he was an in-demand session player. In particular he has a penchant for using a horn patch on his analog synth that doubles the part played by actual brass instruments, which adds a loopy and campy touch.
The majority of the repertoire is taken straight from the Hit Parade of 1969-70 and represent a pretty interesting cross section of psychedelic rock, pop, and even an ‘easy listening’ soundtrack hit. I’ve taken the trouble to notate the cover songs’ origins:
Smile a Little Smile for Me – The Flying Machine
Airport Love Theme – Vincent Bell, from the soundtrack to the film “Airport”, 1970
Jingle, Jangle – The Archies
No Time -The Guess Who
Diamante cor de Rosa – Roberto Carlos
The Rapper – The Jaggerz
Always Something There to Remind Me (Bacharach/David tune recorded by Dionne Warwick, Sandie Shaw, and R.B.Greaves at Muscle Shoals. Hard to say which version Bertrami had in mind but Greaves’ version was the most recent.)
Amusingly enough, the most exciting of these cover tunes is “Jingle Jangle” from the virtual cartoon band The Archies, which is replete with fuzz guitar.
The tune “Mon Ami” was featured as a theme to the Globo telenovela “Assim na terra como no céu” in 1970 in a version produced by Paulinho Tapajós. As I’ve stated before on this blog, the study of telenovela soundtrack music — and it is a subject that deserves series study – is not one I’ve undertaken. Not yet, anyway. But I have a hunch that a lot of these Top 40 international hits were associated with contemporary telenovelas that would have made them instantly recognizable to a Brazilian audience even if their originals unknown. Did ‘The Archies’ air on Brazilian TV? I have no idea. For that matter the Roberto Carlos hit was also part of a feature film vehicle for him with the same title. The two songs credited to ‘Celinho’ are a mystery to me. There was a Celinho from the state of Ceará who played the accordion and recorded a bunch of tunes in the era of 78s, but I’m fairly certain these aren’t his songs. Anyone who knows, drop me a line.
This Japanese reissue has typically lovely, round sound. It’s too bad I can’t read the notes in Japanese though. It would be nice to know if the musicians are credited. I suspect Victor Manga is on the drums but I have no confirmation, but he did play in the Turma de Pilantragem.
{edit} As per a comment left below by a reader, I’m updating the post with the following info on the lineup: Jonas Damasceno (Joninhas), Ivan Conti (Mamão), Luiz Carlos Siqueira –
all from “The Youngsters” band – plus the late Gegê on drums and Sergio
Barroso on bass.
password: vibes
