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Don “Sugarcane” Harris – Sugar Cane’s Got The Blues (1972) (MPS 1977)

Don “Sugarcane” Harris – Sugar Cane’s Got The Blues
Vinyl rip in 24-bit/192 kHz | FLAC |  300 dpi scans | Jazz, Rock
1.74 GB (24/192) + 934 MB (24/96)
1977 MPS Records  ||  Orig. rel. 1972

Is the stunning cover art the best thing about this record? The album documents when fiddle wizard* Don “Sugarcane” Harris played the Berlin Jazz Festival with a lineup that featured Robert Wyatt on drums and Volker Krieger on guitar.  Terje Rypdal also guests on one odd song choice here, Song For My Father.

Don “Sugarcane” Harris – Sugar Cane’s Got The Blues (1972) (MPS 1977)

Azymuth – Telecommunication (1982) (2023 Jazz Dispensary Top Shelf)

Azymuth – Telecommunications
Vinyl rip in 24-bit/192 kHz | Brazilian Jazz
Distributed as FLAC (24/192, 24/96) and mp3 (320kbs)
1982 Milestone || 2022 Jazz Dispensary (Craft) || Ltd. ed

Hey, remember when this blog featured Brazilian music?  Me neither!  Well, the relative inutility of music blogs in 2023 notwithstanding, I’m going to make a New Year’s resolution to start visiting Brazil more often, sonically at least, in 2024.  Why not start early with this classic recording from Brazilian jazz outfit Azymuth, recorded in Brazil but not released there, this was originally issued by Milestone. It is presented as part of the Jazz Dispensary Top Shelf series by Craft Records in a limited run.Azymuth – Telecommunication (1982) (2023 Jazz Dispensary Top Shelf)

David Sancious and Tone – Transformation (The Speed of Love) (1976 Epic)

David Sancious and Tone – Transformation (The Speed Of Love)
1976 Epic Records PE 33939| Genre:  Fusion, Jazz-rock, Progressive rock

If, like me, you thought that Incident on 57th Street and New York City Serenade were the high points of Bruce Springsteen’s early career, then you should probably give your attention to musical polymath and chameleon David Sancious.  Sancious was keyboardist for the E. Street Band on their first two albums, and contributed to the title track of Born To Run.  I think it would be a safe claim to say that his sensibility probably helped sculpt the “epic” sound they were crafting, particularly on the longer songs, but if you have The Boss too firmly in mind when putting on this record, you might be jarred by just how dissimilar it seems.  I’ve always been a champion of things eclectic, but Sanscious might be too eclectic for his own good at times.  With his virtuosity on multiple instruments taking front and center stage, it is hard not to marvel at least a little at the breadth of vision, but sometimes they straddle the grey area between stylistic transcendence and plain confusion.  His debut record for Epic (Forest of Feelings, 1975) was produced by none other than legendary jazz-fusion drummer Billy Cobham, and at times the music comes close to holding its own with Return To Forever or Weather Report or Mahavishnu Orchestra, and at other times sounding a bit like a slightly funky Rush without the benefit of no horrible lyrics (everything here is instrumental).

David Sancious and Tone – Transformation (The Speed of Love) (1976 Epic)

Larry Coryell – Coryell (1969) – Special Blog 10th Anniversary Post!

Larry Coryell – Coryell
1969 Vanguard Apostolic VSD 6547 | Vinyl rip in 24 bit 196 khz | Art at 600 and 300 dpi
Jazz-Rock / Jazz-Funk / Soul / Fusion / Psychedelic

I’ve been holding back on posting about this album until I could commemorate the 10th ANNIVERSARY of this blog.  It’s a very special record to me from the great guitarist Larry Coryell, who passed away in 2017.  It’s unique in that it captures him in a kind of transition between his time playing in the psychedelic rock group The Free Spirits and his future as an icon of jazz fusion, in the pre-Bitches Brew era when that genre was still fresh and nascent.  And it’s soul-shaking, mind-melting grooviness from start to finish.  I like to imagine that Hendrix heard this album and  decided to shelve the Experience on the spot and start up his Band of Gypsies.  Bernard “Pretty” Purdie on the drums and Chuck Rainey on bass are holding down a solid soul groove  here, which just elevates the vibe to transcendent levels.Larry Coryell – Coryell (1969) – Special Blog 10th Anniversary Post!