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Joe Bataan – Gypsy Woman (1967) (Fania SLP 340)


Joe Bataan
Gypsy Woman
Fania Records SLP 340
Original release, 1967
1990’s CD reissue

Emerging out of the hybrid crossroads of boogaloo, R&B, Latin Soul, and the nascent salsa scene, Joe Bataan was defying categorization and bending genres long before it was hip.  The first album I heard by him was “Subway Joe”, but it was years before I realized he didn’t actually sing any of the Spanish-language numbers in his repertoire – those, in the early days at least, were handled by Joe Pagan.  For a fascinating glimpse into the complexities of being an Afro-Filipino in the barrio, you can watch this interview with him done by Red Bull Academy. Although I personally like that there is an entire 2 hours of it, somebody could probably edit that down a bit, for the non-fanatical. Joe Bataan – Gypsy Woman (1967) (Fania SLP 340)

Gal Costa – Gal (1969) (Mono mix)


Gal Costa – Gal
1969 Philips R 765.098 L

The great Gal Costa released two classic Tropicália records in 1969, and this one is widely known as the mind-bendingly psychedelic monster of the two.  The version presented here is the original mono mix and not the stereo mix that appeared on the Gal Total boxset and later in a Polysom reissue.  Gal has always surrounded herself with musical heavyweights but she was keeping particularly heady company at this time: this record has substantial involvement from Gil, Caetano and Jards Macalé (who would serve as her musical director not long after this).  No less than two compositions from Jorge Ben are featured here, including the rather deep cut “Tuareg” in a particularly funky arrangement. Gal Costa – Gal (1969) (Mono mix)

Colombia! The Golden Age Of Discos Fuentes. The Powerhouse Of Colombian Music 1960-76

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Colombia! The Golden Age Of Discos Fuentes. The Powerhouse Of Colombian Music 1960-76
Various Artists
Soundway Records (SNDWCD008)
Every Soundway compilation is a labor of love and this one is no exception. This collection focuses on the Fuentes label of Colombia, which has been active there since the 1930s. Covering a mighty chunk of stylistic territory and a span of over fifteen years is no mean feat and it’s remarkable the collection holds together as well as it does. It has its flaws but they are relatively minor and far outweighed by the fact that Soundway is making this music available to a wider audience that to a large extent have not had much access to it.Colombia! The Golden Age Of Discos Fuentes. The Powerhouse Of Colombian Music 1960-76