Marcos Valle
Vontade De Rever Você
Reissue April 22, 2017 ViNiLiSSSiMO MR-SSS 546
Special release for Record Store Day
Original Release 1981 Som Livre 403.6224
01 – A Paraíba Não É Chicago 4:35
(Laudir de Oliveira, Ware, Marcos Valle, Paulo Sérgio Valle, Cetera)
02 – Bicho No Cio 4:35
(Leon Ware, Marcos Valle, Paulo Sérgio Valle)
03 Velhos Surfistas Querendo Voar 4:35
(Leon Ware, Marcos Valle, Paulo Sérgio Valle)
04 – Campina Grande 3:22
(Marcos Valle)
05 – Sei Lá 4:35
(Laudir de Oliveira, Ware, Marcos Valle, Paulo Sérgio Valle, Cetera)
06 – Pecados De Amor 3:40
(Marcos Valle, Paulo Sérgio Valle)
07 – Garimpando 3:55
(Marcos Valle, Paulo Sérgio Valle)
08 – Nao Pode Ser Qualquer Mulher 4:12
(Leon Ware, Marcos Valle, Paulo Sérgio Valle)
Accordion – Sivuca
Bass – Jamil Joanes, Luizão, Peter Cetera
Drums – Danny Seraphine, Robertinho Silva
Electric Piano [Rhodes] – José Roberto Bertrami
Guitar – Chris Pinnick, Robertinho De Recife, Robson Jorge, Sergio Dias
Keyboards, Piano – Marcos Valle
Percussion – Airto Moreira, Bezerra da Silva, Chacal, Laudir de Oliveira
Producer – Marcos Valle, Paulo Sérgio Valle, Ribeiro Francisco
Saxophone – Oberdan, Walter Parazaider
Trombone – James Pankow, Serginho
LINEAGE INFO
RSD 2017 ViNiLiSSSiMO MR-SSS 546 vinyl; Pro-Ject RM-5SE with Audio Tecnica AT440-MLa cartridge; Speedbox power supply); Creek Audio OBH-15; AUdioquest King Cobra cables; M-Audio Audiophile 192 Soundcard ; Adobe Audition at 32-bit float 192khz; clicks and pops removed with Click Repair on very light settings, manually auditioning the output, and often turned off for large sections of this record; further clicks removed with Adobe Audition 3.0; dithered and resampled using iZotope RX Advanced. Converted to FLAC in either Trader’s Little Helper or dBPoweramp. Tags done with Foobar 2000 and Tag and Rename.
This is a very solid record from Marcos Valle in what would these days be called his ‘boogie’ phase. I suppose it can’t also be called ‘yacht rock’ because, a) there’s not much rock here, and b) on the album jacket, Marcos definitely looks more like the guy selling suntan lotion (and maybe a little something extra for your voyage if you seem hip) down at the pier, moreso than he resembles the owner of a yacht. This album also answers the unasked question, “What would it sound like if you put Chicago’s Peter Cetera and Brazilian accordion wizard Sivuca on the same song?” The result was the moderately big hit single “A Paraíba não é Chicago” that opens up this upbeat, breezy album. Cetera contributes bass guitar to unspecified tracks, as do the great Jamil Joanes (who played with Banda Black Rio, Gal Costa, Tim Maia, and many others) and Luizão Maia (Antônio Adolfo e A Brazuca, Fórmula 7, Elis Regina, João Bosco and many more). Sergio Dias of Os Mutantes plays a guitar or two somewhere here. The eclectic mix of magic helper elves continues with sessions credits from three other members of Chicago (Danny Seraphine, splitting drums duties with the ubiquitous Robertinho Silva, and horn players James Pankow and Walter Parazaider), and co-writing credit from both Cetera and soul singer Leon Ware on four songs. Valle worked with both those guys during his second stretch living in the USA, and his melodic flare is in heavy abundance on this Ware track Rockin’ You Eternally, also from 1981. Robson Jorge and Robertinho do Recife (on guitars) and Airto (on percussion, although you wouldn’t really know it’s him) are in the mix as well.
Marcos Valle sounds natural and in his element here, still youthful and not at all like he was simply keeping up with the times while approaching the milestone of twenty years as a recording artist. Although I will probably always prefer his string of home-run classic albums from the late 60s and early 70s, I’m glad his work from this period is getting more attention lately, as evidenced by this special 2017 Record Store Day repressing by Spanish label ViNiLiSSSiMO.* Marcos Valle has never needed to be ‘recuperated’ as hip, because he’s like some kind of Brazilian Brian Wilson, without the mental instability and a much longer span of productivity, a guy whose work has stayed afloat above the tides of fashion as effortlessly as the most expert surfer. There are no bad songs here, although the shimmery slick production may occasionally get in their way, depending on the listener. The instrumental Campina Grande continues the album’s peculiar fascination with the state of Paraíba (they have great beaches there…), using a Northeastern rhythmic foundation for a piano melody that is evocative of Valle’s bossa nova years. If he had recorded an English-version of the radio-friendly, mid-tempo “Sei lá”, he might have been a household name in the northern latitudes. But I doubt Rio’s golden boy loses much sleep over that notion.
*Unfortunately, in terms of mastering and sound quality, I’m fairly confident they just took a CD and slapped it on wax, which ignores that the two media have different properties. The good news is I am guessing they used the Japanese reissue on Bomba Records, since it doesn’t pin the meters to 0 db in a solid slab of ‘brickwall’ like I suspect the Som Livre 2006 CD, based on all their other CD reissues. Anyway, I guess it’s nice to have around for analog playback, at a reasonable price.
password: vibes